HOLLYWOOD BEAUTY: MARILYN MONROE

Marilyn Monroe (1926-1962) was and is one of the most beautiful women to ever enter the borders of Hollywood. She died too soon, but her memory and beauty lives on...

COOKING WITH THE STARS: LARRY PARKS

 

Here is a great clipping showing a recipe from the underrated actor Larry Parks...

PHOTOS OF THE DAY: FINAL PICTURES OF THE STARS - 2024 EDITION

 Sometimes these pictures are hard to look at, but we think Hollywood stars are different than us. They really are not. They have issues just like we do, and despit the plastic surgry industry, they for the most part age like us too. Here are some more last pictures of our favorite stars...

Betty Grable - April of 1972. She died in July of 1973

Myrna Loy (with Lauren Bacall) - June of 1993. She died in December of 1993

Racquel Welch - July of 2022. She died in February of 2023

Terry Thomas - April of 1989. He died in January of 1990.

Marlon Brando - March of 2004. He died in July of 2004.

Steve McQueen - April of 1980. He died in November of 1980.

Past editions:

OCTOBER 31, 2022

OCTOBER, 31, 2016

OCTOBER 30, 2013

MARCH 28, 2012

RIP: BARBARA RUSH

Barbara Rush, the classy yet largely unheralded leading lady who sparkled in the 1950s melodramas Magnificent Obsession, Bigger Than Life and The Young Philadelphians, has died. She was 97.

Rush, a regular on the fifth and final season of ABC’s Peyton Place and a favorite of sci-fi fans thanks to her work in When Worlds Collide (1951) and It Came From Outer Space (1953), died Sunday, her daughter, Fox News senior correspondent Claudia Cowan, confirmed to Fox News Digital.

“My wonderful mother passed away peacefully at 5:28 this evening. I was with her this morning and know she was waiting for me to return home safely to transition,” Cowan said. “It’s fitting she chose to leave on Easter as it was one of her favorite holidays and now, of course, Easter will have a deeper significance for me and my family.”

A starlet at Paramount, Universal and Fox whose career blossomed at the end of the Hollywood studio system, Rush also played opposite Frank Sinatra in Come Blow Your Horn (1963) and Robin and the 7 Hoods (1964), the last of the Rat Pack movies. Filming on the latter was stopped twice, once when President Kennedy was assassinated and again when Sinatra’s son was kidnapped.

In Douglas Sirk’s 1954 remake of Magnificent Obsession, Rush portrayed the adorable sister of Oscar nominee Jane Wyman, whose character is blinded in an accident caused by a reckless playboy (Rock Hudson).

Rush, Hudson and Sirk had warmed to the task by collaborating on the tongue-in-cheek film Taza, Son of Cochise (1954), in which the actors played Native Americans, and the three would work together again in the Ireland-set love story Captain Lightfoot (1955).

Rush portrayed the harried wife of James Mason, whose life unravels when he becomes addicted to cortisone, in Nicholas Ray’s controversial Bigger Than Life (1956), and she exceled as a disappointed socialite driven away by would-be lawyer Paul Newman in The Young Philadelphians (1959).

Rush also was seen as the despairing wife whose husband (Kirk Douglas) is having an affair (with neighbor Kim Novak) in Strangers When We Meet (1960), and she romanced Dean Martin and Richard Burton, respectively, in The Young Lions (1958) and The Bramble Bush (1960).

Rush never received an Oscar or Emmy nomination; she was given a Golden Globe in 1954 as most promising female newcomer for her performance in It Came From Outer Space, where she played the fiancee of an astronomer (Richard Carlson) as well as her seductive alien duplicate.

But who needs trophies? She was acknowledged in the 1975 film Shampoo when Warren Beatty’s Beverly Hills hairstylist and ladies man asked for references when applying for a business loan, bragged, “Well, I do Barbara Rush.”

The high-society Hollywood figure was married to actor Jeffrey Hunter (The Searchers) and legendary showbiz publicist Warren Cowan. Barbara Rush pretty much retired by 2007, but she continued to make appearances until around 2019 at movie conventions...

RIP: LOUIS GOSSETT JR

Louis Gossett Jr., Star of ‘An Officer and a Gentleman’ and ‘Roots,’ Died at 87/

The Brooklyn native also appeared in the original Broadway production of 'A Raisin in the Sun' and wrote a song with folk legend Richie Havens.

Louis Gossett Jr., the tough guy with a sensitive side who won an Oscar for his portrayal of a steely sergeant in An Officer and a Gentleman and an Emmy for his performance as a compassionate slave in the landmark miniseries Roots, died Friday. He was 87.

In a statement obtained by The Hollywood Reporter, his family said, “It is with our heartfelt regret to confirm our beloved father passed away this morning. We would like to thank everyone for their condolences at this time. Please respect the family’s privacy during this difficult time.”

With his sleek, bald pate and athlete’s physique, Gossett was intimidating in a wide array of no-nonsense roles, most notably in Taylor Hackford’s Officer and a Gentleman (1982), where as Gunnery Sgt. Emil Foley he rides Richard Gere’s character mercilessly (but for his own good) at an officer candidate school and gets into a memorable martial arts fight.

He was the second Black man to win an acting Oscar, following Sidney Poitier in 1964.

For the role, the 6-foot-4 Gossett trained for 30 days at the Marine Corps Recruitment Division, an adjunct of Camp Pendleton north of San Diego. “I knew I had to put myself through at least some degree of this all-encompassing transformation,” Gossett wrote in his 2010 biography, An Actor and a Gentleman.

In 1959, Gossett played George Murchison in the original Broadway production of Lorraine Hansberry’s domestic tragedy A Raisin in the Sun, then segued to Daniel Petrie’s 1961 Columbia film adaptation along with his stage co-stars Poitier and Ruby Dee, launching his career in Hollywood.

It was his eloquent portrayal as Fiddler, an older slave who teaches a young Kunta Kinte (LeVar Burton) to speak English on the eight-part ABC miniseries Roots, that earned him his first significant dose of national recognition. Eighty-five percent of the U.S. population tuned in for at least a portion of Roots, and the finale drew more than 100 million viewers in January 1977.

“All the top African-American actors were asked, and I begged to be in there,” Gossett once said. “I got the best role, I think. It was wonderful.”

Gossett also starred in the critically acclaimed telefilm Sadat (1983), in which he played the assassinated Egyptian leader (Sadat’s widow, Jehan, personally chose him for the part), and he portrayed a baseball immortal in Don’t Look Back: The Story of Leroy “Satchel” Paige in a 1981 telefilm.

During his 60-year-plus career, Gossett excelled in a number of non-stereotypical racial roles, playing a hospital chief of staff on the 1979 ABC series The Lazarus Syndrome and the title character Gideon Oliver, an anthropology professor, on a 1989 set of ABC Mystery Movies. He work up until last year and appeared in the movie musical remake of  "The Color Purple"...

A DISCOGRAPHY MOMENT: JO STAFFORD - MARCH 26, 1946

Jo Stafford (1917-2008) was one of the greatest female vocalists in all of pop music history/. In the 1940s and 1950s she had a huge musical output. On this studio session she got to record with the great Nat King Cole on piano...

March 28, 1946 (Thursday)

Baby, Won’t You Please Come Home (with Nat King Cole - piano) (Matrix No. 1054) * Recorded for single Capitol 15171
Cindy (with Nat King Cole - piano) (Matrix No. 1055) * Recorded for single Capitol 259
Ridin’ On The Gravy Train (with Nat King Cole - piano) (Matrix No. 1056) * Originally unissued
I’ll Be With You In Apple Blossom Time (with Nat King Cole - piano) (Matrix No. 1057) * Recorded for single Capitol 277

‘Ridin’ On The Gravy Train’ (Matrix No. 1056) was issued in 1991, on the CD ‘Capitol Collectors Series: Jo Stafford’ (Capitol CDP 7 91638 2)

RIP: M. EMMET WALSH

M. Emmet Walsh, the character actor who brought his unmistakable face and unsettling presence to films including Blood Simple and Blade Runner, died Tuesday, March 19, 2024, at age 88, his manager said Wednesday.

Walsh died from cardiac arrest on Tuesday at a hospital in St. Albans, Vermont, his longtime manager Sandy Joseph said.

The ham-faced, heavyset Walsh often played good old boys with bad intentions, as he did in one of his rare leading roles as a crooked Texas private detective in the Coen brothers' first film, the 1984 neo-noir "Blood Simple."

Joel and Ethan Coen said they wrote the part for Walsh, who would win the first Film Independent Spirit Award for best male lead for the role.

Walsh played a crazed sniper in the 1979 Steve Martin comedy "The Jerk" and a prostate-examining doctor in the 1985 Chevy Chase vehicle "Fletch."

In 1982's gritty, "Blade Runner," a film he said was grueling and difficult to make with perfectionist director Ridley Scott, Walsh plays a hard-nosed police captain who pulls Harrison Ford from retirement to hunt down cyborgs.

Born Michael Emmet Walsh, his characters led people to believe he was from the American South, but he could hardly have been from any further north.

Walsh was raised on Lake Champlain in Swanton, Vermont, just a few miles from the U.S.-Canadian border, where his grandfather, father and brother worked as customs officers.

He went to a tiny local high school with a graduating class of 13, then to Clarkson University in Potsdam, New York, and the American Academy of Dramatic Arts in New York City.

He acted exclusively on the stage, with no intention of doing otherwise, for a decade, working in summer stock and repertory companies.Walsh slowly started making film appearances in 1969 with a bit role in "Alice's Restaurant," and did not start playing prominent roles until nearly a decade after that when he was in his 40s, getting his breakthrough with 1978's "Straight Time," in which he played Dustin Hoffman's smug, boorish parole officer.

Walsh was shooting "Silkwood" with Meryl Streep in Dallas in the autumn of 1982 when he got the offer for "Blood Simple" from the Coen brothers, then-aspiring filmmakers who had seen and loved him in "Straight Time."

"My agent called with a script written by some kids for a low-budget movie," Walsh told The Guardian in 2017. "It was a Sydney Greenstreet kind of role, with a Panama suit and the hat. I thought it was kinda fun and interesting. They were 100 miles away in Austin, so I went down there early one day before shooting."

Walsh said the filmmakers didn't even have enough money left to fly him to New York for the opening, but he would be stunned that first-time filmmakers had produced something so good.

"I saw it three or four days later when it opened in LA, and I was, like: Wow!" he said. "Suddenly my price went up five times. I was the guy everybody wanted."

In the film he plays Loren Visser, a detective asked to trail a man's wife, then is paid to kill her and her lover.

Visser also acts as narrator, and the opening monologue, delivered in a Texas drawl, included some of Walsh's most memorable lines.

"Now, in Russia they got it mapped out so that everyone pulls for everyone else. That's the theory, anyway," Visser says. "But what I know about is Texas. And down here, you're on your own."

He was still working into his late 80s, making recent appearances on the TV series "The Righteous Gemstones" and "American Gigolo."

And his more than 100 film credits included director Rian Johnson's 2019 family murder mystery, "Knives Out" and director Mario Van Peebles' Western "Outlaw Posse," released this year.